Kenny Wayne Shepherd Band, Turn To Stone.
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Smashing Pumpkins, Mayonaise.
Agreed. Siamese Dream is such a great headphones record.In retrospect, I think the Pumpkins were the best recorded band of that era. The double tracked leads with perfect distortion back track always caught my ear. It reminded me of when I first heard the Boston album -- just a muddier version.
Yep. All the levels are great. You can hear the vocals, the bass, the drums, and a flood of compressed, multi-tracked guitar distortion.Agreed. Siamese Dream is such a great headphones record.
This might be a hot take, but Black Crowes' Southern Harmony and Musical Companion (1992) is another one of the era with a lot of these features, albeit totally different guitar tones and vox style. Siamese Dream was 1993.Yep. All the levels are great. You can hear the vocals, the bass, the drums, and a flood of compressed, multi-tracked guitar distortion.
Absolutely one of my favorites of that era, but that album was mic'd better. Those guys were playing without a lot of effects. Hot into the mic and largely recorded as a "live" band.This might be a hot take, but Black Crowes' Southern Harmony and Musical Companion (1992) is another one of the era with a lot of these features, albeit totally different guitar tones and vox style. Siamese Dream was 1993.
Right it’s not 25 Les Pauls through a Marshall stack in a closet like Siamese Dream, even though that’s a cool sound. It’s more organic but benefits from the grunge era studio tricks that made things sound so big. Like the drums.Absolutely one of my favorites of that era, but that album was mic'd better. Those guys were playing without a lot of effects. Hot into the mic and largely recorded as a "live" band.
Well what do you know, thanks for educating me. I was clearly speaking off the top of my head.I could be wrong, but I'm pretty sure that was a strat on Siamese Dream.
Yeah it doesn't sound like a strat, right? 25 Les Pauls was a good guess. But Corgan then was a strat guy and a master in the booth.
When I graduated from college in 1991, I spent my first paycheck on a US custom shop sunburst fender '62 reissue strat. I then took it to Dale Bluebond on south street in Philly and had it refretted with bass frets and re-radiused and switched to a 5 position pickup. I was a big SRV fan then!I had a 1990s 57 reissue myself and it was also stolen! That sorta killed my “career” as a subpar guitarist in fact.
Maybe..sure, but I could never repro that Pumpkins sound on stage. Can you?I believe that thick distortion sound from Siamese Dream came from a big muff fuzz pedal.
Maybe..sure, but I could never repro that Pumpkins sound on stage. Can you?