What are you listening to?

wanderingrichard

Life of the Party
@Brain Miller; was also looking for R. Carlos Nakai and came across this. Wondering if its considered improv symphony?

 

Brian Miller

Be vewy vewy quiet, I'm hunting Cutthwoat Twout
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@Brain Miller; was also looking for R. Carlos Nakai and came across this. Wondering if its considered improv symphony?


Well, it's the UBC Symphonic Wind Band. They are definitely being directed with specific cues in a narrative score yet appear to be communicating with each other in the moment (improvising) with sound, light, and movement, so I guess so. Reminds me of and is more abstract to me than György Ligeti's - Lux Aeterna; the "voice" of the 2001 A Space Odyssey monolith, that is a fully notated score. I have played trumpet and percussion in wind bands and am too darned ADD to count a percussion part in Lux... 🤯

I am a simple man preferring consonant harmonies; "the combination of pitches in a chord which are agreeable or easy to listen to and make pleasing sounds" versus dissonant harmonies which are "a combination of pitches in a chord which are relatively harsh and grating." Lux worked for me accompanied by the imagery in the film, but as stand alone music I can't interpret it or American Ledger (No. 1); "a narrative score for performance, telling the creation story of the founding of the United States of America. In chronological descending order, moments of contact, enactment of laws, events of violence, the building of cities, and erasure of land and worldview" into an image in my mind that makes any sense to me.

They are all obviously extremely gifted and accomplished musicians that enjoy breaking the bondage of notation evoking feelings in an audience having brilliant minds that can interpret it.
 

adamcu280

Life of the Party
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I recorded the Allah-Las at NW Tuneup last weekend and have been listening to their set on repeat since then.

 

wanderingrichard

Life of the Party
Well, it's the UBC Symphonic Wind Band. They are definitely being directed with specific cues in a narrative score yet appear to be communicating with each other in the moment (improvising) with sound, light, and movement, so I guess so. Reminds me of and is more abstract to me than György Ligeti's - Lux Aeterna; the "voice" of the 2001 A Space Odyssey monolith, that is a fully notated score. I have played trumpet and percussion in wind bands and am too darned ADD to count a percussion part in Lux... 🤯

I am a simple man preferring consonant harmonies; "the combination of pitches in a chord which are agreeable or easy to listen to and make pleasing sounds" versus dissonant harmonies which are "a combination of pitches in a chord which are relatively harsh and grating." Lux worked for me accompanied by the imagery in the film, but as stand alone music I can't interpret it or American Ledger (No. 1); "a narrative score for performance, telling the creation story of the founding of the United States of America. In chronological descending order, moments of contact, enactment of laws, events of violence, the building of cities, and erasure of land and worldview" into an image in my mind that makes any sense to me.

They are all obviously extremely gifted and accomplished musicians that enjoy breaking the bondage of notation evoking feelings in an audience having brilliant minds that can interpret it.
Thanks Brian... I kind of got the creation story vibe when the guy started splitting wood... but using it as percussion is way new to me
 

Bob Rankin

Wandering the country with rifle and spey rod.
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Saturday it was the lumineers at the Gorge. It was awesome!
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klq@stl

Steelhead
Here is a Scottish Flautist combined with a silent movie star, filmed outside Portland OR. May be one of the greatest rock and roll flute solos!



Or Live at Montreux 2003 for a better sound experience:
 
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Stonedfish

Known Grizzler-hater of triploids, humpies & ND
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