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Agreed! If you don't want to keep gloving/ungloving for a quick step like this, try cutting a 2" x 0.5" strip (or other scrap) of thin fly foam, and use it folded over between thumb & index to pinch and slide the resin down the fibers.I like how he uses the Krystal flash with resin to create a sort of spine that keeps the upper wing material from fouing.
On another note, not sure getting UV resin on bare fingers is a good idea. Maybe I'm just paranoid having to deal with similar industrial chemicals at work, but nothing about these "photo initiator" catalysts are good - or even the resins themselves for that matter. I know using gloves is a PITA, but I always wear nitriles when tying with UV cure resins. Vapors also no bueno. Using a respirator seems overkill but adequate ventilation at the bench is just common sense. We all get enough nasty chem exposure as it is, just say'n.

I just tied up a few sardinas w/ that reinforced spine (I remembered I've done this before but can't recall the results). No need to touch the resin at all. I used thin UV and used the nozzle to drip it along and spread it around the strands of Krystal Flash.Agreed! If you don't want to keep gloving/ungloving for a quick step like this, try cutting a 2" x 0.5" strip (or other scrap) of thin fly foam, and use it folded over between thumb & index to pinch and slide the resin down the fibers.
It's soft enough to conform to shape for good contact/ coating without the resin soaking thru or getting absorbed